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	<title>Comments for ARTLURKER</title>
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	<link>http://www.artlurker.com</link>
	<description>A Miami based contemporary art newsletter / blog</description>
	<pubDate>Wed, 19 Nov 2008 03:55:31 +0000</pubDate>
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		<title>Comment on Tenacious Taggers Take Terrible Tumble by Richard Haden</title>
		<link>http://www.artlurker.com/2008/11/tenacious-taggers-take-terrible-tumble/#comment-4441</link>
		<dc:creator>Richard Haden</dc:creator>
		<pubDate>Mon, 17 Nov 2008 22:34:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=743#comment-4441</guid>
		<description>I think Tom underestimates the power this article has in illustrating how certain daily quotidian occurrences, that seem innocuously comical, actually reflect an excepted passiveness in many of it's citizens, especially, when it reveals how we react to authority (authority of the State, cultural authority, social authority and so on).

I remember when I first moved to New York, back in the early 80's, there was an artist / clubber named Michael Stewart who was murdered by New York transit police. A young black American with a Broad Tip Marker, writing on Sub Way adds lost his life by the brutality and negligence of NYPD graffiti critics--The not so finest NYPD uniformed code of Justice. http://en.wikipedia.org/wiki/Michael_Stewart_(graffiti_writer)

So, when I hear that police are involved in the arts--other than as protectors. I get a wee bit pissed and squeamish.

I am glad Tom posted this article. For it shows that the Miami Police need to take a course or two in cultural studies and tolerance training.

Thanks for tolerating my obsessive rants regarding this important issue.</description>
		<content:encoded><![CDATA[<p>I think Tom underestimates the power this article has in illustrating how certain daily quotidian occurrences, that seem innocuously comical, actually reflect an excepted passiveness in many of it&#8217;s citizens, especially, when it reveals how we react to authority (authority of the State, cultural authority, social authority and so on).</p>
<p>I remember when I first moved to New York, back in the early 80&#8217;s, there was an artist / clubber named Michael Stewart who was murdered by New York transit police. A young black American with a Broad Tip Marker, writing on Sub Way adds lost his life by the brutality and negligence of NYPD graffiti critics&#8211;The not so finest NYPD uniformed code of Justice. <a href="http://en.wikipedia.org/wiki/Michael_Stewart_" rel="nofollow">http://en.wikipedia.org/wiki/Michael_Stewart_</a>(graffiti_writer)</p>
<p>So, when I hear that police are involved in the arts&#8211;other than as protectors. I get a wee bit pissed and squeamish.</p>
<p>I am glad Tom posted this article. For it shows that the Miami Police need to take a course or two in cultural studies and tolerance training.</p>
<p>Thanks for tolerating my obsessive rants regarding this important issue.</p>
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		<title>Comment on Tenacious Taggers Take Terrible Tumble by tommy pace</title>
		<link>http://www.artlurker.com/2008/11/tenacious-taggers-take-terrible-tumble/#comment-4415</link>
		<dc:creator>tommy pace</dc:creator>
		<pubDate>Mon, 17 Nov 2008 03:14:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=743#comment-4415</guid>
		<description>i like richard haden.</description>
		<content:encoded><![CDATA[<p>i like richard haden.</p>
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		<title>Comment on Tenacious Taggers Take Terrible Tumble by Richard Haden</title>
		<link>http://www.artlurker.com/2008/11/tenacious-taggers-take-terrible-tumble/#comment-4414</link>
		<dc:creator>Richard Haden</dc:creator>
		<pubDate>Mon, 17 Nov 2008 02:02:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=743#comment-4414</guid>
		<description>There is a comical coincidence: Police shoot unarmed mannequin at locust projects; police arrest armed artist with pallet in hand. (the Graffiti artist's pallet, being various cans and colors of spray paint--not unlike a painter's pallet who works from various hues of oil or acrylic) I think the police are getting too much attention. 

I guess the artist or tenants at the above mentioned building were not aware that they as tenants had the right to tell the police to leave the Graffiti artist be. Since the artist / tenant are in authority as caretakers of the property, they must have the ultimate authority who comes and goes from the normal passageways or roof top. Sorry if I offended any one. But hearing that any one went to a Miami jail over expressing them selves on an empty parapet is very disturbing to me.

Opening a can of worms as this article did for me, gets ideas flowing, especially one of my favorites: Personal / private property issues, or as the "Situationist" would phrase it, "Psycho-geographical," wondering (in relation to the graffiti artist appropriating / exploring / exploiting different routes via roof top splendor)

http://en.wikipedia.org/wiki/Psychogeography</description>
		<content:encoded><![CDATA[<p>There is a comical coincidence: Police shoot unarmed mannequin at locust projects; police arrest armed artist with pallet in hand. (the Graffiti artist&#8217;s pallet, being various cans and colors of spray paint&#8211;not unlike a painter&#8217;s pallet who works from various hues of oil or acrylic) I think the police are getting too much attention. </p>
<p>I guess the artist or tenants at the above mentioned building were not aware that they as tenants had the right to tell the police to leave the Graffiti artist be. Since the artist / tenant are in authority as caretakers of the property, they must have the ultimate authority who comes and goes from the normal passageways or roof top. Sorry if I offended any one. But hearing that any one went to a Miami jail over expressing them selves on an empty parapet is very disturbing to me.</p>
<p>Opening a can of worms as this article did for me, gets ideas flowing, especially one of my favorites: Personal / private property issues, or as the &#8220;Situationist&#8221; would phrase it, &#8220;Psycho-geographical,&#8221; wondering (in relation to the graffiti artist appropriating / exploring / exploiting different routes via roof top splendor)</p>
<p><a href="http://en.wikipedia.org/wiki/Psychogeography" rel="nofollow">http://en.wikipedia.org/wiki/Psychogeography</a></p>
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		<title>Comment on Tenacious Taggers Take Terrible Tumble by Richard Haden</title>
		<link>http://www.artlurker.com/2008/11/tenacious-taggers-take-terrible-tumble/#comment-4395</link>
		<dc:creator>Richard Haden</dc:creator>
		<pubDate>Sun, 16 Nov 2008 21:44:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=743#comment-4395</guid>
		<description>It's sad when artist can not communicate between themselves. As the event so clearly illustrates...that: there were artist who stood by why others were arrested. That is really sad and disgusting--that there appears to be a divisive stance--on one side their are those who lack Balls and on the other there are those with cans of spray paint who in stealth show that they do. I don't know about the rest of you but I'd feel really embarrassed to stand by and let Uniformed authority sort out and judge who's who. Who ever witnessed the escape of the Taggers should have given refuge or alibi to the Spray Painting perpetrators. Then each group could have sorted out there differences privately. 

That event illustrates a sad moment in the history of Miami's developing Art scene. I hope that, at least, any charges are dropped.</description>
		<content:encoded><![CDATA[<p>It&#8217;s sad when artist can not communicate between themselves. As the event so clearly illustrates&#8230;that: there were artist who stood by why others were arrested. That is really sad and disgusting&#8211;that there appears to be a divisive stance&#8211;on one side their are those who lack Balls and on the other there are those with cans of spray paint who in stealth show that they do. I don&#8217;t know about the rest of you but I&#8217;d feel really embarrassed to stand by and let Uniformed authority sort out and judge who&#8217;s who. Who ever witnessed the escape of the Taggers should have given refuge or alibi to the Spray Painting perpetrators. Then each group could have sorted out there differences privately. </p>
<p>That event illustrates a sad moment in the history of Miami&#8217;s developing Art scene. I hope that, at least, any charges are dropped.</p>
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		<title>Comment on Tenacious Taggers Take Terrible Tumble by swampthing</title>
		<link>http://www.artlurker.com/2008/11/tenacious-taggers-take-terrible-tumble/#comment-4370</link>
		<dc:creator>swampthing</dc:creator>
		<pubDate>Sun, 16 Nov 2008 07:21:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=743#comment-4370</guid>
		<description>3 cheers for lurky, now you're posting on the fly. next best thing to the smoking pistol.  is that a google-earth of the bordello bodega? where have all the coconut palms gone?</description>
		<content:encoded><![CDATA[<p>3 cheers for lurky, now you&#8217;re posting on the fly. next best thing to the smoking pistol.  is that a google-earth of the bordello bodega? where have all the coconut palms gone?</p>
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		<title>Comment on Miami Artist Jon Peck begins Summer Residency at Cooper Union by ARTLURKER &#8250; Q: When and where is the exhibition ChaCha opening? A: Tonight at Twenty Twenty Projects</title>
		<link>http://www.artlurker.com/2008/06/miami-artist-jon-peck-begins-summer-residency-at-cooper-union/#comment-4130</link>
		<dc:creator>ARTLURKER &#8250; Q: When and where is the exhibition ChaCha opening? A: Tonight at Twenty Twenty Projects</dc:creator>
		<pubDate>Sat, 08 Nov 2008 16:37:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=134#comment-4130</guid>
		<description>[...] The first answer Murray received was perhaps the most considered and despite the fact that they got the artists medium wrong it would seem to ARTLURKER that ChaCha has at least one person on their team who knows where to go for the info. Note the similarity between ChaCha’s answer “Nicolas Lobo is a Miami based artist with both high profile exhibitions and small showings. He could paint for Cha Cha!” and this sentence taken from the article Miami Industry of Luxury which was written by ARTLURKER for Whitehot Magazine of Contemporary Art in August “Nicolas Lobo is a Miami based artist. Like many artists in Miami today he mediates between high profile exhibitions and small group projects.” (Not to mention ChaCha’s response &#8220;Miami artist John Peck begins summer residency at Cooper Union&#8220;) [...]</description>
		<content:encoded><![CDATA[<p>[...] The first answer Murray received was perhaps the most considered and despite the fact that they got the artists medium wrong it would seem to ARTLURKER that ChaCha has at least one person on their team who knows where to go for the info. Note the similarity between ChaCha’s answer “Nicolas Lobo is a Miami based artist with both high profile exhibitions and small showings. He could paint for Cha Cha!” and this sentence taken from the article Miami Industry of Luxury which was written by ARTLURKER for Whitehot Magazine of Contemporary Art in August “Nicolas Lobo is a Miami based artist. Like many artists in Miami today he mediates between high profile exhibitions and small group projects.” (Not to mention ChaCha’s response &#8220;Miami artist John Peck begins summer residency at Cooper Union&#8220;) [...]</p>
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		<title>Comment on HOMO SAPIENS vote for Mr. and Mrs. Candidate by margallo</title>
		<link>http://www.artlurker.com/2008/11/homo-sapiens-vote-for-mr-and-mrs-candidate/#comment-4073</link>
		<dc:creator>margallo</dc:creator>
		<pubDate>Thu, 06 Nov 2008 00:31:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=687#comment-4073</guid>
		<description>Welcome to the United (light) States of America, but I still believe it is the world standard for personal freedom and advancement.</description>
		<content:encoded><![CDATA[<p>Welcome to the United (light) States of America, but I still believe it is the world standard for personal freedom and advancement.</p>
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		<title>Comment on Paul Morrison at Galerie Emmanuel Perrotin, Miami by Jaime G. Amaro</title>
		<link>http://www.artlurker.com/2008/05/paul-morrison-at-galerie-emmanuel-perrotin-miami/#comment-4028</link>
		<dc:creator>Jaime G. Amaro</dc:creator>
		<pubDate>Tue, 04 Nov 2008 04:04:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=18#comment-4028</guid>
		<description>Paul Morrison aparts my sight to focus only on that which he once pictured. Greatly captured moments in natural life, simple, sleek and sharp.  Visions from a child's handle with the confrontations and thought only an adult can slowly perceive.

His work deserves walls.</description>
		<content:encoded><![CDATA[<p>Paul Morrison aparts my sight to focus only on that which he once pictured. Greatly captured moments in natural life, simple, sleek and sharp.  Visions from a child&#8217;s handle with the confrontations and thought only an adult can slowly perceive.</p>
<p>His work deserves walls.</p>
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		<title>Comment on Remembering&#8230; Miami before Art Basel by ana graham</title>
		<link>http://www.artlurker.com/2008/08/remembering-miami-before-art-basel/#comment-4012</link>
		<dc:creator>ana graham</dc:creator>
		<pubDate>Mon, 03 Nov 2008 15:09:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=409#comment-4012</guid>
		<description>Candy Darling is right. Wet Paint Cafe came around about a year after Rodolfo Tejera RIP set up Wet Paint which was more a piece of art itself than a gallery. Every room was an installation, i remember sleeping in the Telephone Room with a broom to quiet the rats when they got too rowdy. The House  would change it's exterior from month to month, nobody cared as most of our neighbors contributed in some way. The parties were sometimes dangerous with trips to the hospital or county jail. Too many to list but for the closing night party (which I opted out of) the house was literally torn down, ropes tied to the columns and pulled by cars.</description>
		<content:encoded><![CDATA[<p>Candy Darling is right. Wet Paint Cafe came around about a year after Rodolfo Tejera RIP set up Wet Paint which was more a piece of art itself than a gallery. Every room was an installation, i remember sleeping in the Telephone Room with a broom to quiet the rats when they got too rowdy. The House  would change it&#8217;s exterior from month to month, nobody cared as most of our neighbors contributed in some way. The parties were sometimes dangerous with trips to the hospital or county jail. Too many to list but for the closing night party (which I opted out of) the house was literally torn down, ropes tied to the columns and pulled by cars.</p>
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		<title>Comment on A Bold New Trajectory for Dorsch Gallery by Richard Haden</title>
		<link>http://www.artlurker.com/2008/10/a-bold-new-trajectory-for-dorsch-gallery/#comment-3890</link>
		<dc:creator>Richard Haden</dc:creator>
		<pubDate>Tue, 28 Oct 2008 13:47:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=657#comment-3890</guid>
		<description>The show at the Dorsch gallery was engaging as we became part of a "Situationist" like happening. We participated in the work...After that I remember going over to the Castillo Gallery, where we were cordially invited to tea by Susan Lee Chun to discuss the affair--yet again to be part of another "Situational" collaboration...I'd say it was a good evening for the anti-spectacular leanings and a positive relief from the usual art commodity and presentation.

By the way humans are not the only species that throws things with intention...look at this site: 

http://www.tribuneindia.com/2001/20010527/spectrum/nature.htm

ANT-lions have no relationship with the members of the cat family. They are larvae of ‘doodle-bugs’, insects related to lacewings and alder flies. These larvae are the members of the group of animals who throw projectiles to catch prey.

Living in sandy places in the tropics or sub-tropics, they dig pits as large as 4 inches in diameter and 20 inches deep. These conical depressions act as death-traps for insects on which the larvae feed. To construct the trap, the ant-lion walks backwards in a circle, gradually spiralling inwards. It takes sand on its head and throws it either to one side or to the other, creating a depression of the appropriate size.

After the work is done, this predatory insect hides by burying itself at the bottom of the pit, with just its enormous, pincer-like jaws protruding and waiting for an unfortunate victim to blunder in. Once the victim is at the bottom of the pit, it is almost impossible to climb up because the walls of the pit are very steep and are lined with fine sand, which is far less stable than coarse sand. If, however, the prey seems to be making good its escape, the ant-lion throws sand at it, knocking it back into the center of the pit. There, it can grasp the victim, pierce it and suck out the body fluids.


There are very few animals who hurl projectiles at their prey. One such predator is the archer fish. Ranging from India to northern Australia, this fish is found in different kinds of waters, including fresh, saline and brackish, particularly in mangrove swamps. This fish usually catches insects sitting outside water. The prey sitting on an overhanging twig or leaf is brought down in the water by shooting a spit on it.

To be able to spit droplets of water to any distance, the fish has developed specialized features in its mouth. It has a groove in the roof of the mouth and the tongue is modified to press against the groove to form a ‘tube’, in effect the barrel of a water pistol. At the moment of discharge, the tongue is pressed to the roof of the mouth, the gills closed, and the front of the tongue flicks out the water droplets. A mature fish can knock down an insect which is up to 5 ft above the water surface, and with a degree of accuracy.


Seems that there are frogs and other insects that aim with water...and lets not forget the Camel that shares its misanthropy by spitting at the human race.</description>
		<content:encoded><![CDATA[<p>The show at the Dorsch gallery was engaging as we became part of a &#8220;Situationist&#8221; like happening. We participated in the work&#8230;After that I remember going over to the Castillo Gallery, where we were cordially invited to tea by Susan Lee Chun to discuss the affair&#8211;yet again to be part of another &#8220;Situational&#8221; collaboration&#8230;I&#8217;d say it was a good evening for the anti-spectacular leanings and a positive relief from the usual art commodity and presentation.</p>
<p>By the way humans are not the only species that throws things with intention&#8230;look at this site: </p>
<p><a href="http://www.tribuneindia.com/2001/20010527/spectrum/nature.htm" rel="nofollow">http://www.tribuneindia.com/2001/20010527/spectrum/nature.htm</a></p>
<p>ANT-lions have no relationship with the members of the cat family. They are larvae of ‘doodle-bugs’, insects related to lacewings and alder flies. These larvae are the members of the group of animals who throw projectiles to catch prey.</p>
<p>Living in sandy places in the tropics or sub-tropics, they dig pits as large as 4 inches in diameter and 20 inches deep. These conical depressions act as death-traps for insects on which the larvae feed. To construct the trap, the ant-lion walks backwards in a circle, gradually spiralling inwards. It takes sand on its head and throws it either to one side or to the other, creating a depression of the appropriate size.</p>
<p>After the work is done, this predatory insect hides by burying itself at the bottom of the pit, with just its enormous, pincer-like jaws protruding and waiting for an unfortunate victim to blunder in. Once the victim is at the bottom of the pit, it is almost impossible to climb up because the walls of the pit are very steep and are lined with fine sand, which is far less stable than coarse sand. If, however, the prey seems to be making good its escape, the ant-lion throws sand at it, knocking it back into the center of the pit. There, it can grasp the victim, pierce it and suck out the body fluids.</p>
<p>There are very few animals who hurl projectiles at their prey. One such predator is the archer fish. Ranging from India to northern Australia, this fish is found in different kinds of waters, including fresh, saline and brackish, particularly in mangrove swamps. This fish usually catches insects sitting outside water. The prey sitting on an overhanging twig or leaf is brought down in the water by shooting a spit on it.</p>
<p>To be able to spit droplets of water to any distance, the fish has developed specialized features in its mouth. It has a groove in the roof of the mouth and the tongue is modified to press against the groove to form a ‘tube’, in effect the barrel of a water pistol. At the moment of discharge, the tongue is pressed to the roof of the mouth, the gills closed, and the front of the tongue flicks out the water droplets. A mature fish can knock down an insect which is up to 5 ft above the water surface, and with a degree of accuracy.</p>
<p>Seems that there are frogs and other insects that aim with water&#8230;and lets not forget the Camel that shares its misanthropy by spitting at the human race.</p>
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