A Miami based contemporary art newsletter / blog

THE RAPE TUNNEL By Sheila Zareno

[Image removed upon request of owner]

The Rape Tunnel being fabricated in Richard Whitehurst’s Columbus studio.

Richard Whitehurst is a Columbus-based artist who made his mark on the Ohio scene by showing at the William Strunk Jr. Museum of Contemporary Art in Akron and internationally regarded galleries such as Alexandria Asheton Gallery and Seward Projects Space. He was the 2006 recipient of an Akron Culture Committee fellowship and has quickly become a seminal figure in the often overshadowed Rustbelt regional art scene, rapidly moving from sculpture and installation to more challenging situational based work that would make Nicolas Bourriaud’s head spin.

In fact, his new controversial work, THE RAPE TUNNEL, which is set to go on view at Columbus’ 4D Gallery on October 30th, has come under fire from Columbus-based feminist groups not to mention, local law enforcement officials. The artist plans to place himself in a room, the only entrance or exit being a 22 ft long plywood tunnel constructed by Whitehurst himself. Then he says that for the duration of the gallery’s opening (from 7:00 p.m. to midnight) he will rape anyone who travels through the tunnel into that room.

On a recent trip to Ohio, nearly all art-related conversation stirred wildly around Whitehurst and his tunnel, with half the people hailing him a vastly important figure to keep an eye out for, while others regarding his work as cheap and exploitative – not to mention very dangerous.

We’ll let you readers decide. The following interview was conducted on September 22nd via e-mail correspondence.

Please describe the project.

In the 4D Gallery main room, I’ve constructed a 22 ft tunnel out of plywood that leads into the project room. There is no way in or out of the project room except for this tunnel. As you travel through the tunnel, it gets smaller and smaller, making it so that you have to crawl and put yourself in a submissive position in order to reach the tunnel’s destination. At the end of the tunnel the subject will find me waiting in the project room and I’ll try to the best of my ability to overpower and rape the person who crawls through.

Why rape?

Because as an artistic gesture, it’s one of the most impactful I can think of. For the past ten years Ohio’s art scene has been largely centered around a string of alternative spaces in Akron’s warehouse district, where people had been putting on art shows. At the beginning I happily participated along with everyone else but then I started to feel like it wasn’t going anywhere. It dawned on me that if the work we created had never existed the world would be no different than if it had. None of it mattered to anyone outside of our small and insignificant circle of peers. I wanted something that would have more impact.

I started to think differently about my work. In 2007 at the Seward Projects Space in Columbus, I had my first breakthrough with an installation that was to be the prototype for this current one. It was called THE PUNCH-YOU-IN-THE-FACE TUNNEL. It was the same set-up as THE RAPE TUNNEL except at the end of the tunnel I’d punch the subject in the face instead of raping him or her. The impetus was completely reactionary to the current state of art, and motivated by pure frustration.

As it turns out, I ended up breaking the nose of the third person to crawl through the tunnel, an aspiring model. She went to the hospital and eventually sued me. Her modeling career was put on hold. The civil case was long and drawn out and the matter still hasn’t been resolved. To this day she still has unpaid medical bills. The point of this long aside is that all this took place two years ago, and I’m still having an impact on this young lady’s life, something not many other artists could claim about their work.

Rape seemed like the next logical step.


Richard Whitehurst.

But rape is way more extreme than a punch to the face. Is your intention to ruin people’s lives?

Possibly. I’m not necessarily concerned with the positive or negative effects of this project so long as there is some effect on people’s lives. I’ve merely set up a situation where there is potential to impact people in meaningful ways. Maybe I won’t be able to rape everyone who crawls through the tunnel, but the door is open for all kinds of scenarios; rape, serious injury, maybe even death. I might even get arrested.

Right now the installation isn’t even complete, and I’ve riled up a substantial portion of the local population. The installation as an idea is powerful enough itself.

By “substantial portion of the local population” are you referring to people that have been protesting this event?


How do you feel about the protesters?

I’m fine with them. They have the right to speak out against this installation. The project would be an utter failure if it didn’t create this kind of open dialogue.

Are you pro-rape?

Not really. I personally think rape is morally reprehensible and something that should generally not be allowed in our society. Most people feel this way, which is why the act is exploitable for the purposes of my work. If people were not so repulsed by rape then this project would fail.

Does this mean you’re willing to go to jail for the sake of your work?

I am. The local authorities are already threatening to have this exhibition shut down. Caroline Miffen [4D Gallery director] to her credit has hired a team of lawyers working hard to ensure that THE RAPE TUNNEL will proceed as planned. At the end of the day there’s a disclaimer on the door so people know what they’re getting into.

It would seem that what you are proposing to do will not technically constitute rape for the obvious reason that whoever enters into the tunnel is acting of their own free will, therefore making the act consensual. If you aren’t really raping anyone, doesn’t that undermine the credibility of the project?

First of all, I want to make it clear that I plan to make the experience as unpleasant as I possibly can to anyone who dares to crawl through the tunnel. I will try to the best of my ability to make them regret their decision.

Secondly, rape is not always a black and white issue. The definition is argued almost everyday in courtrooms around the country. The woman who gets too drunk one night and regrets having sex the next morning, was she raped or not? There is no easy answer. I hope some of that ambiguity will manifest itself in this project.


Richard Whitehurst.

Do you have any limitations on the kind of person you’ll rape?

None whatsoever. It could be men, women, old, young, fat, thin… anyone.

What if a police officer crawls through the tunnel?

Then I will probably go to jail. But before that I’ll try my very best to sexually assault him or her. The tunnel is constructed in such a way that it gets smaller the closer you get to the project room. The bigger you are, the more difficult it is to comfortably crawl out. And trust me, I have a lot of secrets up my sleeve to ensure that I can overpower anyone that comes through the tunnel.

Where do you go from here then, a “Murder Tunnel”?

No. That would be too much like repeating myself. I’ve thought about this long and hard.

I’m in danger of painting myself into a corner here and I fear that the sensational aspects of my work might overshadow my ultimate message. If I could somehow cure some disease in the name of art, that would be interesting.

The problem with most of today’s art is that it’s being created for a world that doesn’t want or need it. So many other lesser modes of expression have taken the place once held by art in the culture. I’m trying to totally reconfigure art’s importance in the world and make it meaningful. The process will take a long time. I’m not really sure what the next step will be. I’d rather concentrate on the current project[.]


This post was contributed by Victor Barrenechea.




    I completely agree with the artist. However I hope he realizes that the rape train has no breaks.

  • Zach Akers

    The “artists” rape is a figurative one. Those of us who have commented on this page are beholden to the him/her/them, we are part of their “piece”, they have raped us. Unfortunately they are probably not creative enough to come up with a work that engages people in a way that does not exploit them. Maybe they never read Susan Sontag.

  • Groovymarlin

    Dudes like this contribute to the unfortunate impression that many people unfamiliar with the art world have: that artists are douchebags. I think it’s mostly just this guy that’s a douchebag. I have to question the judgment of any gallery owner that would allow this, though.

  • Winston Churchill

    if Dick Whitehurst is looking for impact, why not send a large convicted male rapist with a long history of brutally abusing cellmates in there with him. i can’t imagine a more appropriate happy ending…

  • Willy

    Not many people have the opportunity to enter a situation knowing that it will assuredly bring on violence. Perhaps the artist is unaware that the roles of victim and aggressor can be changed very easily with such knowledge.

    In other words, the person most likely to enter the tunnel will be someone who is intent on making sure the artist suffers for his art.

  • This guy sucks

    Are there any large, strong, gay men willing to stop by and just pound this guy a new asshole in his little tunnel? Ya know, for the sake of ART? What a douche. Art fag.

  • hapbt

    one thing i find interesting is that people are upset about something that hasn’t even happened to them, and never will, so long as they don’t crawl down a tunnel. they are upset by the concept of what someone might do to someone else, somewhere else, and feel the need to control it.

  • Aaron

    Now would it be bad if people started calling it, the kill the rapist tunnel, and simply walked in and killed you.

  • Onikaze

    It’s a hoax. Though if someone were to do this I say go in with a gun. Turn it into the would-be-rape-but-turned-into-a-case-of-self-defense tunnel.

    A gloriously stupid abuse of the first amendment would become a great supporter for the second amendment.

  • Ferguson

    I dont understand one thing- is there actually worthwhile art at the other end of the tunnel for those who are willing to risk rape?

  • Better Tunnel

    Sewage tunnel is the best next step.

    Make them crawl through a tunnel filled with human excrement. When they reach the end there is a plastic door that wont open. They must look up where you are sitting on top of a toilet bowl. When they look up you shit down on their face and then open the door so they may exit.

    This could be accomplished by taking multiple laxatives and eating lots of Mexican food.

    Obvious next step.

  • not the point

    Well KAT has the best comment so far,

    “More than anything, this installation would be a commentary on the people that know he is \u2018a rapist\u2019 and don\u2019t do anything.”

    and I guess I’ll also say that you people who seek to meet violence with violence are never going to be free of it. If you enter the tunnel with the intention of having sex and making it easy for him to avoid violence then perhaps you will defeat him more thoroughly than just sending in your chuck norris.

    make love not war

  • john

    I think that someone with AIDS should stroll down that tunnell and give that loser HIV baby! and then when he’s done raping you, say… “I have AIDS, and now you do too! Put that in your pipe and smoke it dirtbag!”


    I do love black and white topics reframed, but on this one besides the intentionally contentious topic I’m missing the point. Or richard is. Whatever the exploratory definition of rape is, it’s an act without consent. So the name, location and little note on the door is a little trite for a morality issue.

  • Erika Young

    perhaps its just performance art. maybe there is no real danger.

    either way, he has certainly been successful. getting the reaction he wants.

    i do think that the issue of defining rape is interesting.

    ultimately the viewer is accountable in making a decision to venture in or stay out.


  • 24 year old WOMAN

    whether this is a joke or real, it is never okay to make light of rape. any of you idiots that are suggesting that this would be okay have obviously never been raped or sexually assaulted. crap like this just leads to others thinking rape isn’t a big deal, or that it is socially acceptable.
    if this is real – dude, you need help. anyone that is willingly going to spend so much time thinking up “a lot of secrets up my sleeve to ensure that I can overpower anyone that comes through the tunnel” is sick and will end up becoming power crazy. sitting around thinking about how to hurt people is what leads to active violence. people become consumed with it and become “crazy”.
    love people. let’s remember the love.

  • dave

    I have a really simple way to turn this ‘art’ into a real exhibit, a few gallons of diesel fuel/gas mixed, and a match.

  • This guy is a douche

    I’m not familiar with Ohio’s gun laws, but it seems to be this guy could get himself killed by someone with a concealed handgun permit. Wonder how that’d impact his “art?” Grow up, you talentless hack.

  • yeah

    This guy’s work is not that revolutionary, trust me my work pushes way more limits then his. I just hope someone with AIDS goes in with a bloody diseased anus, gets raped and then asks him how he loves his new AIDS

  • NSB

    Only in America, where the artist is just some psychotic clown. Why doesn’t this guy work at a bank like all his soulmates do?

  • Lynn Meyer

    this guy is great i been a virgen for all my life that i know of and this way i dont have to pay someone to take my black cherry

  • JJ

    you can’t say this guy is disturbed and all that, its called THE RAPE TUNNEL, srsly wtf are these people expecting?

  • anonymous

    24 yr old woman-133
    you have probably met someone who has been raped, but have clearly never met someone who has raped. they are just as hurt by the experience, if not more. Have you ever thought about why people rape? its to solve personal issues, but it doesnt help because the victim never participates. so before you tell people to resist and hate rape, think of the rapists.

  • Iep

    I’d love to have an impact on this guy’s life. For instance, lets say… to end it with a big axe.

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THE RAPE TUNNEL By Sheila Zareno