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	<title>Comments on: A Problematic Martin Kippenberger in Perspective</title>
	<atom:link href="http://www.artlurker.com/2009/04/a-problematic-martin-kippenberger-in-perspective/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.artlurker.com/2009/04/a-problematic-martin-kippenberger-in-perspective/</link>
	<description>A Miami based contemporary art newsletter / blog</description>
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		<title>By: BreastMan</title>
		<link>http://www.artlurker.com/2009/04/a-problematic-martin-kippenberger-in-perspective/comment-page-1/#comment-8514</link>
		<dc:creator>BreastMan</dc:creator>
		<pubDate>Fri, 24 Apr 2009 17:45:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=1343#comment-8514</guid>
		<description>Russ Meyer in fact used character actor Henry Rowland in four of his films to portray Bormann including Beyond the Valley of the Dolls (1970) where Bormann is stabbed to death by a transsexual while dressed in full Nazi regalia; Supervixens (1975) and Beneath the Valley of the Ultra-Vixens (1979) which feature Bormann as a gas station owner and small town Lothario respectively and in UP! (1978) where only his voice is heard coming from a mental institution where he is locked up with a recently castrated Adolf Schwartz aka Hitler. However, Supervixens (1975) is by far the most iconic of these movies and for this reason, as you perhaps correctly suggest, it is likely that it was this film and not the others which were referenced by the artist Martin Kippenberger. Thank you for deepening my interest in these amazing films.</description>
		<content:encoded><![CDATA[<p>Russ Meyer in fact used character actor Henry Rowland in four of his films to portray Bormann including Beyond the Valley of the Dolls (1970) where Bormann is stabbed to death by a transsexual while dressed in full Nazi regalia; Supervixens (1975) and Beneath the Valley of the Ultra-Vixens (1979) which feature Bormann as a gas station owner and small town Lothario respectively and in UP! (1978) where only his voice is heard coming from a mental institution where he is locked up with a recently castrated Adolf Schwartz aka Hitler. However, Supervixens (1975) is by far the most iconic of these movies and for this reason, as you perhaps correctly suggest, it is likely that it was this film and not the others which were referenced by the artist Martin Kippenberger. Thank you for deepening my interest in these amazing films.</p>
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		<title>By: Mr. Arrow</title>
		<link>http://www.artlurker.com/2009/04/a-problematic-martin-kippenberger-in-perspective/comment-page-1/#comment-8513</link>
		<dc:creator>Mr. Arrow</dc:creator>
		<pubDate>Fri, 24 Apr 2009 15:16:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.artlurker.com/?p=1343#comment-8513</guid>
		<description>My favorite encounter with Albert Oehlen occurred at MOCA when he was explaining the title of an enormous abstract monstrosity entitled KEVIN. He explained this was Kippenberger and Oehlen&#039;s code name for HITLER when speaking of him in public cafes and bars in Vienna! This holds special meaning for me.</description>
		<content:encoded><![CDATA[<p>My favorite encounter with Albert Oehlen occurred at MOCA when he was explaining the title of an enormous abstract monstrosity entitled KEVIN. He explained this was Kippenberger and Oehlen&#8217;s code name for HITLER when speaking of him in public cafes and bars in Vienna! This holds special meaning for me.</p>
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